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Posts tagged “Trim

Fresh Produce // TRC Interview (Part 2)

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As part of the new Fresh Produce series, the second instalment of the TRC interview sees the West Midlands beat-smith talk about MC’s using his Grime instrumentals, the Leak EP series and his connection to the Stay Fresh collective.

So what made you switch back to making Grime? Did you feel more confident after your Bassline exploits?

To be honest, I never stopped making Grime but at the time I was doing it, there were no open doors to get involved and nobody would support my songs as I was unknown. At that point, Bassline was buzzing and I had a lot of attention from DJ’s on BBC 1Xtra and a lot of airplay, so I thought maybe my Grime might take off a bit. So I started to push out some of my Grime tunes and even though the Oo Aa Ee tune only came out in 2010, I made that in 2007. So that tune was four years old before it started blowing up and everyone was like “Where’s this tune come from?!” and I made it just as I started doing Bassline. A lot of people don’t realise most of my grime tunes are three or four years old.

What was different at the time which made you more comfortable to release those riddims?

I think it was my position which was different. I knew that if people liked it they would support it, so it was another doorway to do something I always wanted.

The same instrumental was used for Boo You too. What was it like having different MC’s from across the country jumping on that and also the Butterz crew helping out?

It’s good to see that artists value your music and they rate it. It’s nice to know that and inspires you to keep you going as well. It reaches out to more people and when they hear a big artist has used your instrumental, they wanna know who made it and then next thing you know someone else is knocking at your door and the work just keeps expanding. Having the releases on Butterz as well has helped raise my profile in Grime.

After that you had Trim jump on ‘Skipping Rope’, what was it like to work with such a revered figure from the early epochs of Grime?

It was massive as these are people I’ve listened to since I was like 13. It was a big thing for me and an honour to work with these kind of people. I’d never dreamed of working with him…I’d love to work with Trim again.

You’ve been releasing your Leak E.P series of late. How long have you been working on all those tunes for?

Some of them for a long time and others a couple of days. Most of the tunes I pitched out and they weren’t getting anywhere to be honest.  I think the first Leak EP was a bit of a dark period in my career, as I was getting frustrated that things weren’t getting out there quite as much as I wanted to and I didn’t even promote it. I just pasted a Sendspace link on my Twitter and it happened to do really well. It got about 2,000 downloads in a couple of days and it was a shock.

Do you think it’s better for the listener to make a natural choice rather than force feed it?

Definitely. If there’s a demand for it then that’s good but some people go over the top with spamming. If you’ve got a little fan base where people are interested in your music and they are not aware that things are coming out. Sometimes I’ve had people pop up and say “Have you not had any new releases?” and I’ve just put some out!

This year you’ve had the two sequels to the first Leak E.P released. On the 2nd one, there seems to be a bigger Southern Hip-Hop influence. Where did that come from?

With the second EP, I was trying to show people that I was versatile and can do almost any genre. At the time Leak E.P 2 came out, I got a lot of interest from A&R’s at the major labels and I thought it was a good time to show them I could do anything. I think that’s where the influence came from and a lot of people did contact me about beats and I got a lot of remix work off the back of it. So it did help a lot.

You recently released the third E.P. What does that release signify now in terms of your position as a producer?

That’s a hard one to answer as I’m in a bit of a funny position at the moment [laughs] I think it’s more of what I’m trying to aim it towards and it was quite hip-hop prominent [Leak EP 2]. So I’m trying to aim for that direction but at the same time a lot of the feedback I was getting said that the beats were good but we didn’t expect you to move away from your old style so much. It was a bit too much for people to take in the last Leak and I almost forgot what people kind of know me for. A lot of the beats did get used like P Money for his freestyle and that got 50,000 hits in a few days. A couple of other people have put vocals on the beats for their EP’s and it has opened a lot of doors in unusual departments.

I scrolled through your Soundcloud page and saw that a few remix clips for Aiden Grimshaw and Josh Osho. Are those out now or have they been put on the backburner by the major labels?

Well when the Aiden Grimshaw one first got played, I got loads of requests asking when that’s coming out and they accepted it which got released eventually. I know the Josh Osho one came out as well. I think the Aiden Grimshaw one was initially intended just for promo use but it got battered on radio!

Aiden Grimshaw – Is This Love (TRC Mix)

You’re from Wolverhampton?

Yeah.

Bar the football team, what’s poppin’ off in your hometown that people might not know about?

Urm…well [tumbleweed] If i’m being totally honest, nothing is popping off round here! There’s a lot of talent round ere not just in music but obviously you’ve got S-X as well who has just soared in the space of a couple of years. Wolves gets puts in a box with Birmingham and people don’t realise that Wolves and Birmingham are both totally different places. I wouldn’t say it’s popping off as it’s a quiet city.

Does it help you get inspiration if there’s any distractions whilst making tunes?

I suppose so but I’m more inspired when I go out of town. I’m more inspired by things that are happening, some action and the only thing which happens here is the odd big rave once in a while.

Do you have a connection to any of the Stay Fresh guys?

I’ve grown up with a lot of them and we use to be in a group called TYG when we were like fifteen. It was a little Grime group and I’m quite close with most of them. I used to be best friends with Menace aka Stay Fresh Don Menna Do you know who that is?

No, I don’t but they may have been around when I went to a Woo Riddim launch about three years ago.

They are all branching out into their own little thing now and they are all getting credit for it which is great to see people from the ends blowing up as well. I’ve been friends with them before Stay Fresh up until the point where some of us used to be in the same group and we used to play grime sets. We’d be upstairs and my mum was shouting off downstairs!

Check back to the site for the third and final part of the TRC interview next week.


FRESH TING FRIDAY // Final Fresh Ting of ’11

Not much I need to say. A fair amount of riddims to reverberate your club chasms, tetchy laptop speakers and more importantly, eardrums, have been released this Gregorian calendar year.

The trend for a number of lists concluding the vast soundwaves is to be overly pretentious.

I, for one, couldn’t give a flying fack about some spiel hipsters use to soundtrack their organic squat socials where they muse about Sartre.

Hope you enjoy some of the selection and see you in 2012.

Bok Bok- Silo Pass

Samiyam – Frosting Packets

TWR72- Paradox 

Disclosure – I Love…That You Know

French Fries – Champagne 

Hyetal – Beach Scene

Dark Sky – Be Myself

Benjamin Damage – No Snares

SBTRKT – Something Goes Right

Tokimonsta – Day Job

AraabMUZIK – Lost In A Maze

Guido & Baobinga – Ballin 

Hudson Mohawke – cBat

S-X – Mask

Faze Miyake – Take Off

Darq E Freaker – Waka x Cherryade (Sinden Edit)

Trim – I Am

The Weeknd – Coming Down/ The Birds (Part 1)

Kanye West & Jay-Z – Gotta Have It

Africa HiTech – Light The Way

DJ Rashad & Gant-Man – Heaven Sent

Iamsu!- Swaggin

Silkie – Boogie Boy

ASAP Rocky – Get Lit (feat. Fat Tony)

Lunice – I See U

DELS – Capsize 

Frank Ocean – Dust

Ghostpoet – Finished I Ain’t

Beyonce – Countdown (Sinjin Hawke Remix)

Jamie Woon – Echoes

Tyler the Creator – She (ft. Frank Ocean and Nightmare)

The Cool Kids – Sour Apples (ft.Travis Barker)

Adele X Jamie XX – Rolling In The Heat (ft. Cecile,Mr Lexx and Timberlee) (The Heatwave Refix)

Beyonce – Party (Instrumental) (prod.by Kanye West) 

Wiley – Numbers In Action (Sticky Remix)

Lil Silva – Cheese and Bun

Wiz Khalifa – On My Level

Hackman – Close

Sarkodie (ft. E.L.) – U Go Kill Me

Joe Goddard (ft. Valentina) – Gabriel

Admiral Bailey – Jump Up (Terror Danjah Remix)

Ms Dynamite – Neva Soft (The Mike Delinquent Remix)

DJ Q – Brandy & Coke

Birdy Nam Nam – Cadillac Dreams (ft. Teki Latex)

Drake – Headlines

Mosca – The Way We Were

Ifan Dafydd – No Good

Metronomy – Corinne

Bon Iver – Perth


The SUBCONSCIOUS // Reading Roundup

One of the best journalists in the underground diaspora Martin Clark a.k.a Blackdown talking about the uncompromising and engaging  Trim on Pitchfork. I was fortunate to catch Simon Wheatley‘s real Don’t Call me Urban photo exhibition at the Richmix in Shoreditch a few weeks ago and there was an infamous picture of Roll Deep sitting in and around an ice cream van.

http://pitchfork.com/features/grime-dubstep/8001-grime-dubstep/

Trim was part of the collective at the time but the manner in which he looked away from the camera leaning in a  lackadaisical manner at the back foretold what was to transpire. He’s been jumping on pulsating and at times penisive productions which most MCs wouldn’t with one dancehall-like example below.  If you hit the exhibition link above and sift through the selection section,you’ll see what I am talking about.

Trim + Pritchard (50% of Africa HiTech) – ‘Kiss My Arse’ [Forthcoming on Planet Mu]

Whilst, Andrew Ryce of the well clued up Resident Advisor speaks to one of electronic music’s ‘ardest working figures in David Kennedy a.k.a Ramadanman,now more widely known under the pseudonym Pearson Sound (I’m struggling to keep up and all)

The feature has an insight into his all-time favourite records which unashamedly span Pendulum,LTJ Bukem and Beastie Boys to name a few. He also makes some interesting points on every “music fans” ire of underground artists selling out and a refreshing take on the current state of play.

http://www.residentadvisor.net/feature.aspx?1347

Hessle Audio have steadily arisen to be one of those labels that resonate their labour of love from the studio to the (imported) bassbins of Pula.Pangaea and Ben UFO may not get deserved props but producing/mixing music as a flowing entity has a skilled quality to it which some say is dying. However, these young fellas know a ting or two when it comes to “dunning” the dance.

Listen to Ben UFO’s XLR8R mix below (which I banged out in the Templeman a fair bit)

http://www.xlr8r.com/podcast/2010/05/ben-ufo

and some classic 2-step,terse timbre lost nocturnal vibe from Pangaea for your ears to digest.

Shout out to the Hessleview man and Hyde Park gal.

STOP PRESS

BR #47 – Ben UFO at the Boiler Room